Sunday, June 23, 2019

"Joy, and 52 Other Very Short Stories," by Erin McGraw

The pleasures of short stories include the compacting of plot, character, and themes into a small space (compared to the luxurious open spaces of novels). I love novels most of all, but I also have a very real appreciation of short stories, especially collections of stories by one author, as there are often connections among the stories, even if not explicit. Now imagine compacting short stories even further, into “very short” stories, as Erin McGraw has done in her new collection, “Joy, and 52 Other Very Short Stories” (Counterpoint, 2019). The stories are mostly between three and five smallish pages long. Readers get a clear sense of the characters; there is always a defined and intriguing plot; there are compelling themes; the language is carefully chosen and very effective, sometimes even lyrical; and we readers finish each story with satisfaction. One of my favorite things about these stories is the way a critical plot point or character revelation often appears in one sentence, just when and where one does not expect it. The stories often engage with social class, in that they mostly reveal the lives of people who are getting by, but just barely – working class people, or people who have somehow gotten off-track. There is often a feeling of despair, or of reluctant resignation. One aspiring songwriter concludes, in the brilliant but sad story with the brilliant but sad title “Nobody Happy,” that “My talent is a kid with his nose flattened against the toy-store window, wanting what he can’t have.” But there are moments of happiness, as in the story “Joy,” where the character writes that “These times come for no reason and too rarely, days and evenings that quiver like a bee’s wing…Nearby, a bobwhite whistles, and my skin wants to dissolve and let something pure slip free.” But then the character tells us, in a flat, straightforward voice, all the ways in which her life has been hard and disappointing. The concluding sentences capture the complexities of grief and joy: “Maybe this is grief. Who cares what we call it? Joy comes in waves, and will not hear no.” This story collection is full of insights, sad moments, jolting truths, and, yes, at times, joy.
 
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