"Dutch House," by Ann Patchett

Who doesn’t love Ann Patchett’s novels? Many of us were immediately won over by her first big success, “Bel Canto,” and also relished “State of Wonder” and “Commonwealth.” Then there were her nonfiction books, also wonderful, such as her memoiristic essays in “This is the Story of a Happy Marriage.” Patchett is one of the not-large group of contemporary writers who are critically acclaimed as well as beloved by wide audiences. The other thing that many of us love about her is that she didn’t just speak about the problem of the closing of many independent bookstores, but went much further and opened her own such bookstore – Parnassus Books, in Nashville, Tennessee. Talk about walking the walk! The reason I am writing about her now is that I have just read her most recent novel, “Dutch House” (HarperCollins, 2019). As with all her novels, her knowledge of and caring about her characters are palpable. We too care about them from the first few pages. The main characters are a brother and sister, Danny and Maeve, who are extremely close; Maeve is a few years older and has always taken care of Danny. They grow up in a fanciful, unusual, fairy-tale-like house, the Dutch House, but later are cast out by a stepmother (the proverbial “evil stepmother” adds to the fairy tale aspect of the house and, in part, the story). This sudden, cruel eviction is devastating to Maeve and Danny; although they manage to survive, they are permanently affected, even scarred, by the event, and by the ensuing revelation that they have been financially cut off by the stepmother. The narrative follows the siblings’ lives over decades, always somewhat under the shadow of the Dutch House. Their family story gets more complicated as they later encounter various inhabitants of the Dutch House, and as they connect with various friends and lovers. But the absolute spine of the novel is the connection between Danny and Maeve. In addition to all the other reasons for being completely caught up in this novel, I found it refreshing (and not common) that the novel explores the sibling connection. Patchett is at her best when family is one of her focuses. Her writing is inviting and accessible, and sometimes we readers rush headlong into her books, enjoying the plot and characters, without realizing we should slow down to savor the gifts of that writing. Highly recommended.