The Fiction of English Author Elizabeth Taylor

During difficult times, I often find myself revisiting old friends: authors and books that I have loved and admired greatly, and that I have frequently re-read. One such author whose books I have turned to again lately is the mid-20th century English writer Elizabeth Taylor. I have read and re-read almost all of her fiction, and have written here before (2/23/10, 6/27/15, 7/31/15), highly appreciatively, of her novels and short stories. I just re-read Taylor’s first novel, “At Mrs. Lippincote’s” (1945), and read for the first time her last book, completed while she was dying of cancer, and published posthumously, “Blaming” (1976). I won’t repeat all that I have written about Taylor’s work before, except to say that it is low-key in plot, highly focused on character, especially of women, and meticulously observant of the daily lives, thoughts, and feelings of her characters. Taylor does not shy away from portraying the less admirable aspects of her characters’ thoughts and behaviors, but always makes us understand them. She does not sentimentalize or dramatize, yet we readers are drawn in, mulling over and savoring each passage, each minute revelation.

"Small Pleasures," by Clare Chambers

Being something of an Anglophile, I regret that some fiction published in the UK is not published in the U.S. But when a really good novel published only in the UK makes its way into U.S. book reviews, and/or libraries or bookstores, it feels like a gift. My latest “discovery” of an author is a case in point. Clare Chambers’ 2020 novel, “Small Pleasures” (Weidenfeld and Nicolson) received glowing reviews in several U.S. periodicals. Don’t be put off by the main plot catalyst, that the protagonist, London-based journalist Jean Swinney, is investigating a woman’s claim that her daughter was the result of a virgin birth. I was almost put off myself, reading the reviews that revealed this unlikely plot point. But when I got a copy of the novel, I was completely seduced by the book blurbs (I know, one can't always trust book blurbs, but sometimes they are helpful in getting a general sense of a novel), partly because so many of them made comparisons between Clare Chambers and some of my very favorite authors: Barbara Pym in particular, but also Anita Brookner, Elizabeth Taylor, and Dorothy Whipple. I did read the book, and enjoyed and admired it thoroughly. Plot, character, originality, and the high quality of the writing drew me in. It turned out that “Small Pleasures” was Chambers’ first novel in ten years. Of course I then looked for her earlier novels, which were not easily accessible, but I did find some in my local library and online. The other two I have read so far, “Learning to Swim” (Arrow Books, 1998) and “The Editor’s Wife” (Century, 2007) are also excellent. I will keep looking for more of her fiction.

"By the Book" Column in The New York Times Sunday Book Review

I always thoroughly peruse The New York Times (Sunday) Book Review, and jot down titles that are reviewed there that I want to read, or at least to further investigate. One feature of the NYTBR that is always fun to read, and sometimes surprising, even provocative, is the column “By the Book,” in which an author or other prominent person (scientist, politician, actor, etc.) is interviewed about what she/he reads. Questions usually include, for example, “What books are on your nightstand?”, “What’s your favorite book no one else has heard of?”, “Which writers…working today do you admire most?” “How do you organize your books?”, and “Disappointing, overrated, just not good: What book did you feel as if you were supposed to like, and didn’t?” Naturally I tend to especially like reading the answers of authors that I like and whose work I have read. But I also enjoy pushing my own literary boundaries by reading the replies of authors whose work I have not read, or have read and not particularly liked. I also note the tone of the answers, which is sometimes enthusiastic, sometimes humorous, sometimes charming, sometimes self-deprecating, and sometimes critical and even a little cranky. No matter the tone or content, “By the Book” is consistently rewarding and entertaining.