I Remember Those Color-Coded Reading Boxes

Does anyone else remember the SRA Reading Boxes? I happened to see a reference to them recently, and it reminded me of past connections to them. I remember them from school, and then later from using them many, many years ago in some reading classes I taught. For those who don’t know them: There are several boxes in each series, at graduated levels; each box has a set of reading cards of various color-coded levels; each card has a short reading followed by comprehension questions. The idea is that students move at their own pace through the various levels of cards. If they read, for example, three cards at one level with no more than one error in answering the questions on each card (I don’t remember the exact requirements), they may move to readings at the next color/level. The value is in allowing students to move as quickly or as slowly as they they are able, and to monitor their own progress. A whole classroom of students can each be reading at her or his own level; teachers set aside a certain amount of time a week for this activity. The downside is that the readings are often very dull. I don’t know if these are still used in classrooms, but I am guessing they are. I see that McGraw Hill still sells them. Although I found them a bit dull and bland both when I read them and when I taught them, there is something that appeals to many students about them, and this system offers a different kind of reading practice than the usual practice of the whole class reading and discussing the same readings. It allows students at all levels to feel a sense of accomplishment; it also harnesses the competitive spirit that many students feel, even if they are only competing against themselves. The hope is that reading these cards will lead to increased skills which then will lead to reading longer and more varied materials.

Another "Missionary Kid" Memoir

Regular readers of this blog may remember that I am doing some research involving memoirs of “missionary kids” (“MKs”), and that I have written about a couple of them here as well. Some of the 31 MK memoirs I have read for my research so far are very well written; others are not, probably because most of the writers are amateur rather than professional writers. (I should state, though, that I find them all interesting and to varying degrees compelling, both for my research and because as an MK myself, I am always making comparisons and connections to my own experiences, and among the experiences of the various MKs.) One of the better written MK memoirs I have read lately is “Mish Kid to Mystic: Memoirs of a Missionary Daughter” (self-published, 2011), by Mary Lou McNeill Jacoby, which, although Jacoby is not a professional writer, is engagingly written. Jacoby’s parents were missionaries in West Africa. Her stories of her childhood there are interesting, but what I found even more of interest were her stories of her life afterward, and how she has been influenced by her MK background throughout her life. Jacoby, now in her 80s, has led a full and fascinating life in which she has always been a seeker. Although continuing in the Christian tradition and as the wife of a minister, she has also investigated and learned from various religious and spiritual traditions and innovations. It seems that she has been fully and intensely involved in her spiritual life, her family, her work, her travels, and her life. I admire how attentively, thoughtfully, and joyfully she has lived her life, and enjoyed reading about it. I had a brief email correspondence with Mrs. Jacoby when I ordered the book, and both that correspondence and the book itself made me feel she is someone I can imagine as a role model, as well as someone I would enjoy sitting down with for a long conversation. The photographs and drawings, some done by her mother and some by the author herself, add to the interest of the book.

Piles of Books for the Taking

I have written before (e.g., 3/27/12) about how books move around in my life, as they probably do in yours: to and from the library, to and from bookstores, to and from friends, from home to office and vice versa, etc. I also mentioned that sometimes colleagues at work put piles of unwanted books outside their office doors for students or others to take if they want them. Over the summer there have been several moves on my office floor and the floor above, as one person retired, another became a Dean and moved to a Dean’s office, another moved to a different floor, and new faculty moved in to their offices. The moving around and packing up of office contents made people go through their shelves and discard books they no longer used, older editions, etc. So in the past couple of months, I have seen several of those book piles in our hallways. Sometimes they have a hand-lettered sign saying “Free,” or “Help yourself,” or “Take what you want.” Even without signs, it is generally understood that books in the hallways outside office doors are up for grabs. I am oddly fascinated by watching the piles diminish. One day I will see a tall pile, the next day it is smaller, the following day smaller still, with perhaps a lone rejected book or two left. And then somehow even those disappear. It is a simple and elegant solution to the problem of too many books, which is a problem most people in my field (education) have eventually. The former owners clear space on their shelves, and a student or perhaps a fellow faculty member picks up a new book or two of interest, free. I find this whole interchange strangely satisfying to observe (and occasionally participate in). It makes me happy to see each book find a new home.

"Alys, Always," by Harriet Lane

It is hard to categorize the brief, gripping British novel, “Alys, Always” (Scribner, 2012), by Harriet Lane. It is a literary novel, but also has elements of suspense and psychological gameswomanship. Reviewers and blurbers have mentioned the author Ruth Rendell and the classic novel “Rebecca” as influences or antecedents. The main character, Frances Thorpe, stops at the scene of an accident and is the last to speak to the dying woman driver, Alys Kyte, who turns out to be the wife of a prominent writer, Laurence Kyte. (A side note: what is it with characters meeting at the beginning of novels at the scenes of accidents? This is at least the third novel I have read recently with this plot device.) What follows is her increasing connection with Alys’ family, as she learns more about them and becomes associated more with them. The psychological aspect of the novel comes into play here, as we readers slowly realize there is more going on under the surface than initially appears, and that Frances is a much more complicated and less innocent character than we might have thought at first. This is a well-written, compelling but somewhat disturbing novel. I can’t decide whether I liked it or not, but it definitely kept me reading.

"The World Without You," by Joshua Henkin

Female authors have, over many years and then with renewed objections in the past couple of years, spoken out about how male writers are still taken more seriously. In particular, they have pointed out that when women write about families, relationships, and other “female” topics, their work is considered less important, but when men write about those topics, they receive kudos. A case in point, they say (and I agree) is the novels of Jonathan Franzen. To quote Jennifer Weiner (from an interview in the Huffington Post, 8/26/10), whose objections to the high praise for Franzen’s novels for their attention to family I have written about before: “It’s a very old and deep-seated double standard that holds when a man writes about family and feelings, it’s literature with a capital L, but when a woman considers the same topics, it’s romance, or a beach book.” She also says that the big reviews and articles in The New York Times and other prominent periodicals tend to be about “white guys. Usually white guys living in Brooklyn or Manhattan, white guys who either have MFAs or teach in MFA programs.” I have just read “The World Without You” (Pantheon, 2012), by Joshua Henkin, who, according to the back flap, “directs the MFA Program in Fiction Writing at Brooklyn College.” Bingo! This book -- very much about family and feelings -- has already been extensively reviewed, and since it just came out last month (and since his earlier novel "Matrimony" was well-reviewed), it is likely that it will be reviewed much more in the months ahead. Although I agree with much of what Weiner has said, for some reason I feel different about Henkin’s novel than I did about Franzen’s “Freedom” – I like it better. (Readers may remember my extreme ambivalence about "Freedom"; I did like Franzen’s earlier novel, “The Corrections.”) “The World Without You” tells of a family torn apart by their grief at their son/brother Leo’s death in Iraq, where he was a journalist. The family meets at their summer house one year after Leo’s death for his memorial service. Leo’s parents David’s and Marilyn’s marriage is suffering because they don’t know how to comfort each other, and each is going a different way. The responses of his older sisters Clarissa, Lily, and Noelle are each affected by their complicated relationships with their parents and with each other, not to mention with their spouses, partners, and children, as well as their very different relationships with being Jewish. Leo's widow, Thisbe, is there with her toddler son Calder, wondering about her future and about her relationship with Leo's family. The main focus of the novel is on the family and their complex reactions, interactions, and expressions of grief. But an also important although less emphasized theme is the unnecessary tragedy of the war in Iraq and of all the terrible losses so many families suffered (and still suffer) because of it. This novel puts a human face on those great losses.

"The Receptionist," by Janet Groth

The New Yorker. New York. Literary stories and gossip. An independent woman figuring out what she wants in life, having adventures, (mostly) happy in her work, longing for love as well. All of these elements and more make Janet Groth’s memoir, “The Receptionist” (Algonquin Books of Chapel Hill, 2012), a delight to read. Groth, like so many other Midwestern young people, moved to New York after college to seek a bigger and more exciting life. In her case, the move was from Minnesota, and the year was 1957. She became a receptionist at the offices of The New Yorker magazine, and stayed there for 21 years. During those years, she met and became friends (and sometimes lovers) with many well-known writers, editors, artists, and other members of the New York literary/art world. She went to their parties and became their confidant. She knew about their writing blocks, their affairs, their secrets. She herself hoped to be a writer, but it took a while. She was also a great traveler. And she loved literature, and knew it well. After a few years at the New Yorker, she started studying for her PhD in English literature, and only ended her receptionist job when she got a position as a university professor. She finally did write; her main publications have been on the great critic Edmund Wilson. And now she has written this generous memoir, candidly sharing her experiences and feelings during those 21 New Yorker years. And although the literary stories are wonderful, so too is the portrait of a young woman making her own way in a time before it was common for women to be single, self-supporting, independent, and adventurous. Although she had her troubles and doubts, she seems to have had a strength and belief in herself, and a desire for a full life, that carried her through. This book is beautifully written and a great pleasure to read.

"They Knew Mr. Knight," by Dorothy Whipple

I have now written about several of Dorothy Whipple’s novels, thrilled with having “discovered” her work. (See my posts of 1/24/12, 1/30/12, 2/10/12, and 7/24/12.) I seem to be slowly working my way through her fiction, feeling fortunate that the USF Library has several of her books. The most recent I have read is “They Knew Mr. Knight” (originally published 1934 by John Murray; Persephone republished version, 1968 – and once again, I thank Persephone for these republishings of Whipple and other women writers who would otherwise have faded into the woodwork of the past). This novel tells the story of a robber baron type, Mr. Knight, who seems to succeed at everything he touches in business, and who becomes a benefactor to Thomas and Celia Blake and their family. He helps them prosper, and they are grateful. But, well, not to give away the ending, things change…. This novel was published at a time of a problematic economy (in the U.S. and in England too), and reading it now in another time of a seriously struggling economy is chilling. Mr. Knight prefigures the same class dominating the economy and the news today: a ruling class of businessmen (and I use the term “men” advisedly, although of course there are a few women involved as well) who think it is acceptable to do anything that benefits their businesses and profits (or simply don’t care about the ethical or even legal aspects of what they do, or about whom they hurt along the way). Such names as Bernie Madoff spring to mind. But this novel is not simply a polemic; there is much more in the story, regarding the psychology of the family that gets drawn into the world of Mr. Knight, and regarding the relationships among all the characters, as well as regarding the place of money and class in England and in its people’s lives. In this, as in her other novels and short stories, Whipple’s writing is so very good that the reader luxuriates in reading it.