Evocative Poem about Reading

Today's "Writer's Almanac, with Garrison Keillor" (which, as I have mentioned before, you can have emailed to your mailbox every day if you choose) has a lovely, evocative poem about reading. It is titled "Midsummer, Georgia Avenue," and it is by the esteemed poet Mary Jo Salter. I am not sure what the copyright status is about reproducing a poem from that website, so I am posting the link here, and hoping you will read the poem. If for some reason you have trouble with the link, just Google "Writer's Almanac" for today's date. The link is: http://writersalmanac.publicradio.org/ If you are looking at it tomorrow or in the future, just use the "previous" button to get back to Aug. 19 and this poem. Enjoy it!

Plenty of Family Drama But It Made Me Sleepy

Joanna Trollope turns out reliably entertaining, and reasonably well written, novels; I have enjoyed several of them in the past. Her new novel, "The Other Family" (Touchstone, 2010), is in the same vein as her other novels, and is fairly enjoyable to read, but I felt a little let down by it. I had trouble getting into it during the slow first section, and in fact I kept falling asleep while reading it. It seemed "talkier" than her usual novels, "telling" rather than "showing." Readers are not given enough of a sense of any of the characters to really know or care much about them. The storyline is vaguely interesting, as we learn that a famous musician has died and left two families behind, causing -- unsurprisingly -- tension and resentment. However, there is a sense of optimism, connection, and closure at the end, so that is all fine, if a bit pat. If a friend lends you this novel, or it otherwise crosses your path or shows up on your bedside table, and you feel inclined toward a quick, decently entertaining read, go for it. But I wouldn't recommend going out of your way to find, borrow, or buy it.

Piracy and Book Publishing?

A article in the September 2010 issue of Opera News (p. 8), written by Brian Kellow and passed on to me by my friend B, asks the question "Will piracy take book publishing the way of the recording industry?" Kellow believes that "book publishing is day by day being pulled into the same black hole that the music industry dropped down years ago. Over the past decade, so many composers I know have seen their already far-from-princely incomes further decimated by online piracy." He fears that the electronic availability and low pricing of books for Kindle, the Sony Reader, the Nook eReader, etc., will drive down the already-small royalties for authors and profits for publishers, and thus make it harder for writers to write and for publishers to publish. I have heard this view expressed elsewhere as well, and it makes me very nervous.

When Harry Met Sally...UK Style

"One Day" (Vintage, 2009), by the English writer David Nicholls, tells the story of Dexter and Emma, who had a very brief fling just as they were graduating from college in 1988, and then for almost two decades had a long, bumpy, but always connected friendship. They each had their own romances and even marriages, but their friendship always continued, with undercurrents of something more. Then finally...well, I won't spoil the suspense, in case you read the novel yourself. The unifying structure, which is somewhat gimmicky but doesn't come across that way, is that each chapter takes place on July 15 of a given year: 1988, 1989, 1990, and so on. Each July 15 is a kind of "checking in" as to how Emma's and Dexter's lives are going, and how they intersect. Part of the appeal of the book is watching these characters as they get older, (very slowly, and with many stops and starts) figure out what they want to do with their lives, have both failures and successes in their careers, deal with illnesses and deaths in their families, watch their friends become married and settled and suburban, sometimes drink far too much, make late night calls to each other, write each other long letters, and always consider each other their best friend, the one person they really want to talk to when things are very good or very bad. Sometimes the characters -- especially Dexter -- are very annoying and make bad decisions, yet somehow we root for them to find happiness, individually and -- we hope -- together. Sometimes the book is larky and funny, and other times sobering and saddening. But the author's best feat is that he makes us really care about the two characters. An absorbing novel.

"The Husbands and Wives Club"

The focus of this book with the catchy and possibly slightly provocative title, "The Husbands and Wives Club," becomes clearer with the subtitle, "A Year in the Life of a Couples Therapy Group," by Laurie Abraham (Touchstone, 2010). The author obtained permission to sit in on the monthly meetings of five couples with a therapist, over a period of over a year, and to write about them (using pseudonyms for the participants). Observing the participants' work with their partners, the other couples, and the therapist on a wide range of issues is fascinating. The issues include sexual problems, the bisexuality of one participant, sorrow over miscarriages, financial problems, work problems, low self-esteem, control issues, communication problems, and more. Many of these problems can be at least partially traced to the patterns that played out in the participants' families of origin. I admire the willingness of these couples -- who are all basically but sometimes ambivalently committed to making their marriages succeed -- to work so hard on resolving their issues. In addition, I admire their willingness, and that of the therapist, to have a witness (the author) to their sessions and their very personal and difficult baring of their issues, needs, and vulnerabilities. Those of us who are married cannot help making comparisons with the couples' situations, and looking for helpful insights. For anyone who is married, or has been married, or is thinking of getting married, this is a riveting examination of the institution of marriage.

Adults Reading Y.A. Books

Apparently there are many adults -- including people who also read plenty of adult fiction -- who read Young Adult (Y.A.) books, according to an essay by Pamela Paul in the New York Times Book Review (8/8/10, p. 23). This first became obvious during the height of Harry Potter frenzy, but is much more widespread. One author, Amanda Foreman, says about Y.A. fiction: "There's a freshness there; it's engaging. Y.A. authors aren't writing about middle-aged anomie or disappointed people." Some writers of adult fiction who have also written Y.A. fiction include Sherman Alexie, Francine Prose, and John Grisham. Personally, I don't read Y.A. fiction, mostly because much of it is science fiction/fantasy, which I am not interested in. And I DO, as a matter of fact, like adult fiction "about middle-aged anomie." However, I do very occasionally enjoy revisiting some of my favorites from my youth, such as the Anne of Green Gables series.

"Cleopatra's Sister"

One of the first writers I wrote about on this blog was Penelope Lively (on 1/25/10), one of my very favorite contemporary authors. She writes beautifully, her novels have intriguing plots and settings, her characters come alive, and she thoroughly understands human nature. On my trip to Kelowna, British Columbia last week for a wonderful family reunion on the beautiful Okanagan Lake, I took along paperback copies of three of Lively's novels, all of which I had already read, but wanted to re-read, knowing they would be good company on the trip. The first one I read was "Cleopatra's Sister" (Penguin, 1993). This novel tells the story of a flight from England to Nairobi that makes an emergency landing in the fictional North African country of Callimbia (Libya?), where the passengers are taken hostages as bargaining chips with England. The two main characters, passengers Howard and Lucy, are drawn to each other during the ordeal. Much of the book is about their back stories, as well as the back story of Callimbia, which includes the historical story of Cleopatra's sister, and then these strands gradually come together in the suspenseful telling of the hostage-taking. This is not one of Lively's best novels, being a bit schematic and with a storyline a bit too "torn from the headlines." But even lesser Lively is wonderful, and I enjoyed the novel. If you have never read Lively's work, I recommend you begin with one of the following novels: Moon Tiger; Heat Wave; The Photograph; Consequences; or her recent Family Album. I can almost guarantee that if you read one of her novels, you will read more.